![]() The chorus is repeated more and John’s verses are still cut and replaced with different beats. “The Blessed Madonna Remix” is on the shorter side compared to the other remixes coming in at 2:53, though it does have an extended version that is 4:34, but the added minute and a half do not add much to the song. Any classic Elton John fan will be very disappointed with the overall lack of his presence in the song and the use of autotune on the vocals that are there. This remix of the song is definitely for those less focused on lyrics and more on sound. Lipa’s vocals, in contrast, are barely touched, which makes the chorus seem out of place compared to the first minute of the song. John’s next line before the chorus is not even understandable due to the heavy altering of his voice. The only vocals for the first 45 seconds are a highly auto tuned version of John singing “cold, cold heart” a few times. It completely skips the first verse and replaces it with beats and faster tunes. “The Blessed Madonna Remix” is very different compared to its predecessor, as it utilizes more of a club-like vibe with less focus on lyrics and more on an upbeat, dubstep style. The four songs that make up “Cold Heart” are more easily recognized due to the quieter beats and can be picked out even when lyrics are overlaid together. “PNAU Remix” was the perfect choice to introduce the collaboration because of this, as the others are sped up in comparison and use more layered tunes, which can drown out the talent of John and Lipa. ![]() The lyrics and assembly can be fully appreciated and understood by the listener as there are no complicated rhythms blocking them out. “PNAU Remix” has a slower overall beat compared to the other three versions, which allows for the vocals to be in the spotlight. “Where’s the Shoorah” does not appear outright but is used more as layering for the “Oh no, no, no” part of the chorus.Įach remix uses the same vocals but puts them together with unique background music and beats, which in turn emphasizes different parts of the song and John’s and Lipa’s vocals in four ways. The chorus ends with a piece from “Kiss The Bride” before John jumps back in for the second verse that is a reprise of the first. John starts each track singing the first verse from “Sacrifice” and transitions into the chorus which is a reprise of the lyrics from “Rocketman.” Lipa then takes the lead singing, “And I think it’s gonna be a long, long time/’Til touchdown brings me ’round again to find/I’m not the man they think I am at home/Oh no, no, no,” which is arguably one of John’s most famous lyrics and is easily recognizable to any music fan. John’s and Lipa’s voices compliment each other throughout the songs and blend together perfectly. Each remix is a combination of lyrics from four of John’s previous hits, “Kiss The Bride, Too Low For Zero,” “Rocketman, Honky Chateau,” “Where’s the Shoorah, Blue Moves” and “Sacrifice, Healing Hands” which are expertly cut together to form the song no one knew they needed. The two artists collaborated on the song during the pandemic when John began putting together his newest album, “The Lockdown Sessions,” which is set to have 16 tracks all featuring different artists he worked with while in isolation. 10 and “Cold Heart – PS1 Remix” was released on Sept. 13, “Cold Heart – The Blessed Madonna Remix” was released on Sept. “Cold Heart – PNAU Remix” was released on Aug. ![]() ![]() Elton John (“Rocketman”) and Dua Lipa (“Levitating”) released “Cold Heart – Claptone Remix” on Oct. ![]()
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